Construct From Wind an Orchid by jeconner, literature
Literature
Construct From Wind an Orchid
A dollar fifty bought us candy, sprung in mouths
without a thought and just a grin to skip along
with, happy hands to clutch and sun to flush our skin.
It wasn't long, that walk through city blocks although
it took our talk from start to finish, back again,
with giants hulking, arching up as though dragoons
at which a thought would cross your mind: "Imprison us,"
you'd say to glass and guards who'd, in alarm, back off
a bit. A flight of shadows from us lifts our chins
to sparrow songs and pass along in bliss across
an artificial park of rock, of iron, hot
now with construction, blown by scorching winds. You spot
an orchid cling
D disliked starting each day. She'd rather
squander her time writing of dusty dreams
late at night by candlelight. This bothered
F who loathed the part where father must wake
unwilling daughter firmly from slumber.
Her eyes remain sleep-stained until M rakes
a warm washrag across her face. Brother
e, now a teenager who refuses
to capitalize his name, walks sister
to the bus-stop where B drives them to school
with a frown on his face. J, K, and L
form her usual clique. They chat until rules
force them to part ways when they'd rather stay
and gossip about H--though, i don't know
what they see in him. G drones on today
about
D disliked starting each day. She'd rather
squander her time writing of dusty dreams
late at night by candlelight. This bothered
F who loathed the part where father must wake
unwilling daughter firmly from slumber.
Her eyes remain sleep-stained until M rakes
a warm washrag across her face. Brother
e, now a teenager who refuses
to capitalize his name, walks sister
to the bus-stop where B drives them to school
with a frown on his face. J, K, and L
form her usual clique. They chat until rules
force them to part ways when they'd rather stay
and gossip about H--though, i don't know
what they see in him. G drones on today
about
Construct From Wind an Orchid by jeconner, literature
Literature
Construct From Wind an Orchid
A dollar fifty bought us candy, sprung in mouths
without a thought and just a grin to skip along
with, happy hands to clutch and sun to flush our skin.
It wasn't long, that walk through city blocks although
it took our talk from start to finish, back again,
with giants hulking, arching up as though dragoons
at which a thought would cross your mind: "Imprison us,"
you'd say to glass and guards who'd, in alarm, back off
a bit. A flight of shadows from us lifts our chins
to sparrow songs and pass along in bliss across
an artificial park of rock, of iron, hot
now with construction, blown by scorching winds. You spot
an orchid cling
-
Charting celestial maps with my fingertips
to the tiny nebulas of internal bleeding
that clung to your form.
In your chest
I felt the bullet quiver,
burrowing smooth
through dead marrow and muscle.
You were engulfed
amid inverse skies -
a naked equation of bruised tissue and morphine white
bandaged in tatters,
with an ammunition belt coiled around the curves.
I saw the shadows that bled from beneath the helmet,
annihilating your face in an ink splatter
as you danced, like an invincible pixie
set down in a minefield;
exuding melodrama
as if it were necessity,
with a tongue that burnt like catholic wine.
As we breathed
A bare stage. GUY 1 is standing CENTRE stage.
GUY 2 [entering]. Hey.
GUY 1. Hey.
GUY 2. What's going on?
GUY 1. I'm watching that burning house over there.
GUY 2. What burning house?
GUY 1. It's offstage.
GUY 2. Oh.
GUY 1. But it's there.
GUY 2. What for?
GUY 1. It's a plot device.
GUY 2. A what?
GUY 1. A plot device. Something introduced to the narrative in order to advance it. In this case, a burning house.
GUY 2. Oh. How's that working out?
GUY 1. Well, you showed up.
GUY 2. Is it a symbol or something?
GUY 1. Probably.
GUY 2. I don't get it.
GUY 1. Yeah, neither do I.
GUY 2. I don't think I like