When I Have FeltWhen evening soaks the sky and puts on dampThe sun, that molten bead of paint, darkened nowAnd watered down -- When stars are piled thickAnd stirred on high-borne vapours, paling thenThe upper verge -- When starlings flock in screws,All sprinting, mirrored over cold-sourced brooks,With each their cry -- When under twilit water,Through shaft-lit verdure fish propel, gleeningIn silvered schools -- When paths are overarchedBy lithesome, elbowed branches, wreathed beneathWith glossened moss --
prismatic rotationPrismatic RotationWhen I met her,she was ice that wasn't cold.She was stone that wasn't hard.She was sour that tasted sweet.I gathered upher contradictionsand put them in the car,on the seat next to meand we drove -backwards -on the wrong sideof the road.Hours passedand at some pointI slammed my footon the brakes.All of the hubcapscame off and continued rolling down the roadas if they werestill attachedto an invisible car.We watchedthe phantomdrive off into the distanceandsomewhere between out of sightand
nova smile6am: Rising to crackled reception, I breathe, stomach rising and falling, this, the mimicked serenade to sunrise, performed the whole world over.8am: In the kitchen, stale bread and a coffee cup invite me to breakfast. Reading headlines, I count morning on both hands, four espresso ribbons, draped over the pages, filling where ink cannot.12pm: I lie on the small square of grass look
TrenchesShe's aphasic. She doesn'tcough mustard gasfrom rice paper lungs.Her armies have learnedit's habit to fight,fall back,retreat,lose a black mud trenchand retake itfive hours later.For one million casualties,one hundred yards were gained.Each yardis ten thousand men down,and she crawlsover their bodies,fingers and toesgrapplingwith dirt, blood,and blue flesh.She says,Sometimes I'm so hungrythat I feel full,sick and clenched.And sometimesmy empty hands feellike they're holding somethingheavyand solid.
asea, tonightI'm at your door; can hear the brass and bass,the snare drum, through the glass. It's jazz, tonight.You let me in and suddenly I'm ina room of profound poets, who sing their versethrough shining horns, sweet saxophone riffs.The solos drift so richly, dance among smoke rings—tonight, when everyone's somebody's cool cat.There's a girl whose trumpet weeps when she woos its keys,those wailing notes like Miles would have played.And the long-haired bassist pains his face as he plucksaway at the tired shape the body makes,he sways. And when the guitar's clean strings do sing,it's melody carries a twang so sweet—it's jazz,to
BigAnd it all came together with a crashan expanding singularity creatingpure noise Monumental foam rising in a desert sea of waking something.The monsters and the carnivores of the soonand the twisting neverThe cancers and the throbbing monadsThe green megaliths and gropingsummersThe plush sentients All at once.Ascending mightily a broad expanse of unbounded Nothing?Surely not.But all the same expelling passionatelythe voidless form of beforeto sum up into waves of sonic being all that would pass for passingall that would crash and scream and pass.Somnolence and in
ScrabblerThere once was a lady who scrabbledtill all her competitors babbled,complaining she knewninety ways to spell shoe,and a hundred and ten to smell cabbage.
Awake Under the BlanketsCloser to darkness than anticipated,the shadows breach the wall and slipacross the carpet.With childish certainty the danger slidesand toils and bristles with thorns and eyes,and eyes peer out from under sheets.Magic never stood the test of time,but clutching teddy closeprevents a mind spilling into tears.Evil stalks on spindle legsgrown knobby and buckled through age,the weight of slushy ooze a challenge.Ears pick out the smacking of lips,a meal made of child on the menu,the slither of entrails never tucked in.Move and be found, the little boy lostinside the mind of an adult left to think,quake with unease,
Cliff NotesCliff NotesCricket leg serenadesTo this Asbach taste that veneers late Tuesday - Companions to a cork paradeOf characters strolling through the vines;Residential escape in charmed, young primeStaving off charge of rolling night.Fetch your pink,From recessed cupboards, bottled upTo pour on ice.Relax.Lay the tumbler to the coaster;Watch condensation dropletsPool into a questionYou avoid.The modern art above your bedIs sacrilege;Grasping for tradition, well-keptAnd bred in sound conditions;A sieve that bled until she criedYour nameFrom underneath those lines, And you found heavenThrough that answer i
SEEKING SPRING 2SEEKING SPRINGI am the tree-in-winter manbough bent with wintry woesseeking spring.Inside, below the gnarled and ravelled rind, inscribed by glacial ink in cruel seasons,exigencies and crises lie curled concentrically in seized circles from heartwood to the bark.Inside, again, sap congealed and gelidtrapped static in harsh-hardened tracheids,sits still pooled and sorrow chilled in serried cellular ranksfrom yesterday's roots to tomorrow's twig.Yes, I am the tree-in-winter manwaiting for spring's demulcent peach-pinkbreath to melt and liquefy from frigid core to icebound boleand tempt the sap to surge and ri
nerudai want to read your body like neruda poem written in braille, my fingers searching the pages of your skin, gently brushing away the hair that falls like a silken bookmark across your face.i will work my waydown the page, hands trembling with excitement,anticipating which words will follow.fingers will lingerin some areas, reread,so that on lonely nightslike this one I will be able to recitethe subtle nuances of your neck or the mysterysurrounding your navel.I would try to interpretthe verse for others, but there is no translationfor your lungs breathing into the palm of my hand,or your h
trapped like ratsevery electric keyboard whine can be sublimewhen mice eat cheese all night from silver dishes that tickle their whiskersand the rats will cringe from where they wait in the wingswith their hairy tails in traps, "oh the tales we could tell, cos you see, we used to get the cheeseback when the wurlitzer hum made the basement floor andwalls samba like a six-point-five somewhere along thesan andreas, bigger at the epicentre, yes, don't you see now…" yes, see now – when your life story consists of bottomless lattes (oh heaven)and the hours you waste thinking on the years yo
I fell the night He roseit was Easter Sunday, the year 2004 when in a series of gulpsI lost my innocence and ol' man Nelson told me stories in my grandmother's househis old guitar singing the lovechild of a blues, jazz, country, folk orgybut I'm thinkin' in blue skies instead of gray nowand I know he was justa wannabe Injun pothead being melancholy on his ay- coo- stickYea I followed granny's example'cause my head was ahurtin' and they were like the horde of blue skittleshid from the masses since the beginningand I tasted the rainbowbut my memory's jogged for miles nowand I know the orange bottles made them as gray as
Opportunity-8.February.2.8.the texture of my missed sunrisewrapped in amber arms and a smirkfluxing in the newborn light:I'd've flung myself in arms that begged to hold me if I'd known they were thereI'm staring into your distance, someonesinging in my buttoned ears—chops for my cubical existence wandering mindthere's cement beneath us in springtime, still coldto the touch of jean-clad cheeks,this tank top rag dollfolded into your lanky figure,patient for dayI'm trapped, sometimes,in fleeting shadows—moments that shouldn't feellike midwinter sun taunting,glaring windstangling the air, hairfalling in your sol
Sleep Sleepa tsetse flydrinks its next mealamazing shrieksthe sun, newborn crying,is sky ilkundera maze of feathery canopy;the Bandundu forest,gives birth to alitter of bananas-grass covered savannahs, stubborn windblown maizeyearningly swaysto the river, wherewater walking fish farmercasts a drowsy eyeon a school of tilapiaplaying in his bamboo den;a kihuta viper opens its razor mouthand belly, fresh meatwafting throughendless horizon;while decadent sockets,hanging by swollen neck,sway as he is carried to the garden.Burial grounds burn slowly like an old antelopepulses, waiting to
Construct From Wind an OrchidA dollar fifty bought us candy, sprung in mouthswithout a thought and just a grin to skip alongwith, happy hands to clutch and sun to flush our skin.It wasn't long, that walk through city blocks althoughit took our talk from start to finish, back again, with giants hulking, arching up as though dragoonsat which a thought would cross your mind: "Imprison us,"you'd say to glass and guards who'd, in alarm, back offa bit. A flight of shadows from us lifts our chinsto sparrow songs and pass along in bliss acrossan artificial park of rock, of iron, hotnow with construction, blown by scorching winds. You spotan orchid cling
A is for AlgebraD disliked starting each day. She'd rathersquander her time writing of dusty dreamslate at night by candlelight. This botheredF who loathed the part where father must wakeunwilling daughter firmly from slumber.Her eyes remain sleep-stained until M rakesa warm washrag across her face. Brothere, now a teenager who refusesto capitalize his name, walks sisterto the bus-stop where B drives them to schoolwith a frown on his face. J, K, and Lform her usual clique. They chat until rulesforce them to part ways when they'd rather stayand gossip about H--though, i don't knowwhat they see in him. G drones on todayabout
Well done. DD was well deserved.
you handle words with such vivacity and care, i admire your freedom